The first sign of romance in the film is a clip of a man and women
kissing, the women is in a white dress which connoted being a virgin, this
connotation was used sometimes in very traditional romance film but not
normally used in this day in age. The area they are standing is very
attractive; this type of scenery is used a lot in romance films. Focus pull is
then used when the couple are kissing with shallow focus on the background this
is done so you focus on the characters rather than the nice back drop. Behind
the scene of the couple some non-diegetic music is played which sounds heart
warming this type of music is stereo-typically in romance films. After the
scene has been on for a couple of seconds you notice its someone working
on the film we know this because they zoom out and show someone playing the music through
the piano, this gives the audience the occupations of the character and some
extra information. Due to the strong stereo-types used in the clip of the
couple it gives the impression that the actual film may not be a very
conventional romance film.
Another non-diegetic sound is used quickly
after the music stops however this time its dialogue of a women
discussing love .This is gives us the idea that the film is based round her
love life. Non-diegetic dialogue is used regularly in romance
films and all ways seem to be women moaning about how they have no love life, then
suddenly they end up falling in love with their dream man. The dialogue
starts when the camera is focusing on man, this gives us the idea these two
people will somehow end up together. However a woman is introduced who kisses
the man yet the man seems to be more interested in her than she does towards
him, this gives the audience the idea that their romance may end soon. This is
also shown through the appearance of the two people, the women is
stereo typically pretty however the man isn't very attractive. Due to the
accent of the women speaking in the background it suggests the film will be set in England.
Titles start coming up on the screen in a
very simple text and colour this type is normally used when the audience of the
film are teenagers and adults. The titles will entice and excite the audience
because it tells the audience that there are some very famous actors and
actresses in it, such as Kate Winslet and Jude Law two very famous
actors/actresses in the UK.
Juxtaposition is then used between
the very happy looking couple to the couple who look like they have fallen out of
love. In the same scene you can see Christmas lights in the street;
the Christmas season is very conventional for romance films because it’s a
magical time of the year when family and friends meet up. The couple are
sitting in a car and the light is very dark this mirrors what their
relationship is like. The camera then zooms out to the outside of the
car to show a long shot of the town. The car they are in is a black Porsche,
this shows that they are very wealthy.
Juxtaposition is used a lot in the opening
because they are using examples of different types of relationship. A man who
looks as if he could be old due to the use of a walking stick appears we don't
get to see to his face because they zoom into an old photo of a women,
they haven't showed his face at this point so you are just focusing on
and thinking about the photo frame, the camera then shows his face which
reveals that the women could be his late wife.
A shot of the back of a womens head is shown;
this adds suspense because the audience will want to know who she is. The use
of slow zooming adds sympathy towards the character.
The antagonist is revealed when a shot of a man is shown and the
un-identified women is talking about how she loves a man who doesn't love her
back, the women which we see at the computer is looking straight at him so we
suspect she is the person speaking in the background.
The use of shallow focus on the crowd is
used so the audience keep our focus on the main character while the camera pans
the room. Long editing/takes are also used throughout the clip to add dramatic
effect.